REWARDED
Network live · 6 platforms

The feed is not random.Somebody chose it.

Every day a few thousand clips decide what a hundred million people think is worth knowing. We build those clips, we run the roads they travel, and we don't publish the map.

The Rewarded distribution console: 10M+ total views delivered, a live global map with 2.8M views in North America, 3.2M in Europe, 2.1M in Asia, 1.3M in South America, 0.6M in Africa and 0.3M in Oceania, a per-platform breakdown across Instagram, Facebook, YouTube, TikTok, X and LinkedIn, and a live delivery feed.
Views delivered
10M+
Accounts live
340
Platforms
6
Clients a quarter
4
  • 10,000,000+ VIEWS DELIVERED
  • 2,847 CLIPS SHIPPED
  • 340 ACCOUNTS LIVE
  • 6 PLATFORMS
  • 31 FORMATS RETIRED
  • 0 BOTS
  • 4 SEATS A QUARTER
  • 10,000,000+ VIEWS DELIVERED
  • 2,847 CLIPS SHIPPED
  • 340 ACCOUNTS LIVE
  • 6 PLATFORMS
  • 31 FORMATS RETIRED
  • 0 BOTS
  • 4 SEATS A QUARTER
  • 10,000,000+ VIEWS DELIVERED
  • 2,847 CLIPS SHIPPED
  • 340 ACCOUNTS LIVE
  • 6 PLATFORMS
  • 31 FORMATS RETIRED
  • 0 BOTS
  • 4 SEATS A QUARTER
01 — The thesis

Nothing goes viral.Things are madeto travel.

There is a comfortable story about the internet: that the best work rises, that quality finds its audience, that the algorithm is a meritocracy with an attitude problem. It is a good story. It is not true.

Distribution decides. A mediocre idea with a strong first frame and forty accounts behind it will outrun a brilliant one posted once and left to fend for itself. That is not cynicism — it is arithmetic, and it has been the arithmetic of every media business since the newsstand.

We do not argue with the machine. We operate inside it.

In the margin

11
Genuine clips inside one hour of source tape
40
Posts before a format is allowed a verdict
82%
Of everything we ship underperforms
18%
Is the entire business

A mediocre idea with a strong first frame will outrun a brilliant one posted once.

What we do is unglamorous and extremely effective. We take the thing you already made, find the ninety seconds inside it a stranger cannot scroll past, cut it so the exit never arrives, and push it into a distribution system built over three years and several thousand posts that failed first.

Then we do it again tomorrow. And the day after. And on the days when nothing works, which are most of them.

Reach is not luck. It is inventory, cadence, and a hook that holds. Everything else is decoration.

02 — The ledger

What the networkhas moved.

Updated when the numbers change, not when it is convenient.

10,400,000
Views delivered

Across owned, partner and seeded placements.

2,847
Clips shipped

Cut, mastered and posted. Not drafts, not decks.

340
Accounts live

Warmed, aged, and spread across six platforms.

31
Formats retired

Killed on schedule, while they were still working.

94%
Client retention

Measured at the twelve-month mark, not the third.

48h
Reply time

Including when the answer is no.

The tape is already shot

You already made it.Let us move it.

A library nobody cuts is a sunk cost. We take the footage you have paid for and put it on roads that already carry traffic.

Reply within 48 hours, including when the answer is no.

Distributed across Instagram, Facebook, YouTube, TikTok, X, LinkedIn.

03 — The operation

Five departments.One outcome.

You hand us a library. We hand you a month of the internet's attention. Between those two events, this is what happens.

01

Extraction

Your long-form is a mine, not a product.

Podcasts, streams, sales calls, keynotes, raw camera roll. We watch all of it at full attention and mark the moments that carry — the admission, the number, the argument, the silence before the answer. A good hour of tape holds eight to twelve genuine clips. Most agencies find three and call it a month.

  • Full-library audit
  • Moment mapping
  • Narrative threading
  • Hook inventory
  • Source triage
02

Fabrication

The edit is where the money is.

Three seconds to stop the thumb. Seven to make a promise. Thirty to make leaving feel like a loss. We cut against the retention curve rather than the highlight reel: captions timed to the syllable, motion that resets attention every four seconds, and an ending that folds back into the first frame so the replay counts twice.

  • Hook architecture
  • Frame-one design
  • Syllable-timed captions
  • Loop engineering
  • Platform-native masters
  • Sound design
03

Distribution

Where they go is our business.

Owned pages, aged accounts, partner networks, and seeding we do not publish. Multi-account and multi-platform, staggered by hour and geography so nothing lands on top of itself. One clip becomes eleven placements. Eleven placements become a pattern the algorithm can read.

  • Network placement
  • Cadence engineering
  • Geo and hour staggering
  • Account warming
  • Resilient rotation
  • Cross-platform masters
04

Amplification

Winners get fuel. Guesses get nothing.

Most clips are data. A few are assets. When one breaks its baseline we do not celebrate — we spend. Paid amplification runs on proven creative only, funded by what the organic side already established. If it could not earn attention for free, it will not earn it for four hundred dollars.

  • Spark & whitelist ads
  • Winner detection
  • Creative recycling
  • Spend gating
  • Retargeting ladders
05

Intelligence

You get to know why.

A dashboard is not insight. Every Friday you get a written read: which hooks held, which formats decayed, where the audience actually came from, and what changes on Monday. Signed by the person who made the call — not by an account manager who read a chart on the way to the meeting.

  • Weekly written read
  • Retention teardowns
  • Hook scoreboard
  • Format decay tracking
  • Named operator
  • Quarterly strategy reset
04 — The method

Twelve ruleswe don't break.

Most of what works is boring and repeatable. This is the part we are willing to publish.

01

The first frame is the product.

A viewer decides in the time it takes to blink twice. We design frame one like a magazine cover line, not like an intro.

02

Never open with your own name.

“Hey guys, welcome back” has cost the internet more reach than every algorithm update combined. We enter mid-sentence, mid-argument, mid-mistake.

03

Volume is a strategy, not a compromise.

Ten clips a day for ninety days beats one perfect clip a week for a year. The outcome distribution is a power law. You buy tickets by shipping.

04

Cut to the exit, not to the story.

We never ask whether a clip is good. We ask where a stranger would leave — and then we delete that place.

05

Every platform is a different country.

Same moment, remastered per platform: aspect, caption weight, safe zones, first-second pacing, and the register of the comments. Cross-posting is not distribution.

06

Post on the audience's clock.

Not yours. Not ours. Cadence is set by where the watch time actually lives, and it moves the week the data moves.

07

The pinned comment is the second hook.

It is the only free real estate left on the internet. We write it before we write the caption.

08

Retire formats while they still work.

Every winning format decays. We track the curve and kill formats early — which feels wrong every single time and is correct every single time.

09

Never boost a guess.

Paid follows organic proof. It never precedes it. A budget cannot rescue a hook that nobody wanted for free.

10

One account is a single point of failure.

Reach that lives on one page is not reach. It is exposure. We spread it, and then we keep spreading it.

11

Build for the quote, not the share.

The clips that travel furthest are the ones people can repeat out loud. Screenshot-ability beats shareability.

12

If it can't be measured on Friday, we didn't do it.

Every decision carries a number, or it does not get made. Taste is an input. It is never the evidence.

Rule thirteen is the network, and rule thirteen is not published.

05 — Proof

The work,and what it did.

Client names on request, under NDA. The numbers are not.

  • TikTok

    “I lost eighty thousand dollars learning this.”

    4.2MFinance podcast
  • Reels

    “He knew the fight was over in round one.”

    2.7MCombat sports
  • Shorts

    “We fired our best salesperson. Revenue doubled.”

    1.9MB2B SaaS
  • TikTok

    “Nobody tells you what closing actually costs.”

    1.4MReal estate
  • Reels

    “Your bloodwork is lying to you.”

    980KHealth & longevity
  • X

    “The pitch that got funded in nine minutes.”

    760KVenture capital

Views are platform-reported and measured at ninety days. Screen recordings and account access available in the call.

06 — Case files

Three files,opened.

Names redacted. Methods partially redacted. Numbers verified.

Case file 001Finance podcast · 180 hours of archive · No short-form presence

Zero to 4.2 million in ninety days

The problem

Three years of episodes, an audience of four thousand, and a library nobody had ever cut.

What we did

Full archive audit. 214 clips extracted in the first month, eleven formats tested, three survived. Distribution across twenty-two accounts on three platforms.

The result

  • 4,200,000 views in 90 days
  • 41,000 followers added
  • 312 qualified inbound leads
  • One format still running 14 months later
Case file 002Combat sports media · Weekly live show · High output, flat reach

The format that should not have worked

The problem

Everything they made looked like everything else on the platform. Competent, and invisible.

What we did

We killed the highlight format outright and rebuilt around pre-fight silence and post-fight admissions — the moments a highlight reel throws away.

The result

  • 2,700,000 views on a single clip
  • 8× median view lift across the account
  • Format retired at month five, on schedule
Case file 003B2B SaaS founder · Sales calls and internal recordings

What happens when you stop posting your best work

The problem

Polished thought-leadership clips, shot properly and lit properly. Nobody watched them.

What we did

Source switched from keynote footage to recorded sales calls. Ugly, real, specific. Frame one became a number on a screen.

The result

  • 1,900,000 views in 60 days
  • $1.4M pipeline attributed
  • Cost per qualified lead down 71%
07 — Selection

We turn down mostof the people who ask.

Not for effect. The network is finite, and attention does not scale by hiring.

We work with

  • Operators with a library. Twenty hours of existing long-form, or a camera that runs every week.

  • People with something to sell. Attention without an offer is a hobby, and we are not a hobby.

  • Founders and talent who can survive being seen. Volume means the internet forms an opinion about you.

  • Clients who can wait ninety days. The curve is flat, and then it is not.

We don't

  • Anyone who wants one viral clip. That is a lottery ticket, not a strategy.

  • Brands that need six people to approve a caption. Speed is the product.

  • Accounts with nothing to say. We amplify signal. We do not invent it.

  • Anyone who wants to see the network. That is precisely how it stops working.

08 — Terms

Three ways in.

Quoted after we have watched your library. We do not publish a rate card, because we do not price work we have not seen.

I

Retainer

Fixed monthly. Fixed output. Fixed cadence.

The default, and the one that works. You know what ships and when, and so do we.

  • Set clip volume per week
  • Full distribution network
  • Weekly written read
  • Named operator
  • Quarterly strategy reset
IIMost taken

Performance

A reduced base, plus a rate per verified million.

We carry part of the risk with you. Available once a baseline exists — we do not gamble on a library we have never seen.

  • Everything in Retainer
  • Rate per verified million views
  • Third-party verification
  • Minimum six-month term
III

Partner

Rare. One or two a year.

For businesses where attention is the entire moat and the upside is worth sharing. If you have to ask whether you qualify, take the retainer.

  • Everything in Performance
  • Equity or revenue share
  • Direct line, no account layer
  • Category exclusivity

One client per category. It is in the contract, and it is the reason the seats are counted.

09 — On the record

What they saidafterwards.

They killed the format that made us famous, three weeks before it died on its own. I was furious. They were right.

Head of Content

Sports media network

Nobody had ever shown me a written reason for a decision before. Now I can't work without one.

Founder

B2B SaaS, Series A

Four years of episodes doing nothing. They found eleven clips in the first hour of tape.

Host

Finance podcast

10 — Questions

Asked, and answeredwithout the padding.

How long until it works?
First clips inside seven days. First break inside thirty. A real base by ninety. Anyone promising faster is selling you a coincidence.
Do you use my accounts or yours?
Both. Yours become the home. Ours become the weather.
What happens when a clip flops?
Most do. That is the design. We ship enough that the winners pay for the rest, and we learn faster than anyone shipping one a week.
Can we see the network?
No.
Who owns the content?
You do. Masters, accounts and the full archive, handed over on exit without a conversation about it.
Do you guarantee views?
We guarantee output, cadence, and a written reason for every decision. Anyone guaranteeing views is guaranteeing bots.
Do you take competitors in the same niche?
One client per category. It is in the contract.
What do you need from us?
The library, and one person who can answer a question inside a day. That is the whole list.

Q3 intake · 2 seats remaining

Four seatsa quarter.

If your library is ready, the application takes four minutes. No call required to apply. We reply within forty-eight hours, including when the answer is no.

We read every application. We answer every application. We accept four.